V.N. Ilyin. Italian Culture, Italian Humanism and Florence

Abstract

The first published essay by V.N. Ilyin about the culture of the Italian Renaissance introduces readers to the Renaissance concept of the author and his more general historiosophical views. This vibrant emotional text, full of philosophical and theological inspirations, transfers the readers to fifteenthcentury Florence, to the very heart of the Renaissance flourishing under the Medici dynasty. Ilyn reflects on the masterpieces of Fra Beato Angelico, Filippo Lippi, Benozzo Gozzoli, and other outstanding representatives of the Quattrocento. In connection with Florentine Renaissance history, the author raises such important issues as the continuity of Renaissance and medieval culture, the relationship between Christianity and paganism. The ideas expressed in this essay oppose the most influential Enlightenment view of the Renaissance as a period of a sharp break with the medieval worldview, an epoch of a shift from theocentric values to anthropocentric values, and the rebirth of paganism. Ilyin does not share the idea of a confrontation between medieval and Renaissance epochs, classic or Christian culture. His historiosophy is based on the idea of continuity. Constantly throughout the text, the author’s thought turns from the protagonist of the essay – Florence – to the history of his native Russian land from the epoch of John III to Soviet times. The philosopher reflects on the influence of Italian culture on the Russian world and on the historical gap caused by the Russian Revolution of 1917. The fate of his homeland is intertwined by Ilyin with far-magnificent Florence, which transforms in this essay into a metaphysical city, representing the ideal of beauty that saves and calls to spiritual transfiguration.